An interest in impermanent states of existence and the potential for things to become otherwise underlies my practice. I am drawn to forms, materials, images, and meanings that are not exhausted by their present state, but hold the possibility of becoming something else. Rather than seeking fixed outcomes, I allow ideas to develop through movement, transposition, transformation, and encounter, letting each work take the form it needs.

Shaped by layered cultural, religious, and linguistic histories—including English and French postcolonial legacies and Christian, Islamic, and African Traditional belief systems—my work reflects ongoing questions about how identity, knowledge, and belonging are carried, displaced, and re-read across changing contexts. These experiences inform my interest in multiplicity, hybridity, and the coexistence of different or seemingly contradictory states, while resisting the need for any one state to become definitive.

Working across painting, sculpture, installation, photography, film, design, and other forms, I approach making as an experimental and iterative process. Forms move between two- and three-dimensional registers, materials are asked to behave beyond expectation, and objects may be designed to accommodate different configurations or modes of engagement. I am interested in interaction, ritual, and temporality as ways of keeping a work active, allowing meaning to emerge through participation, duration, transformation, and exchange. The work is therefore not only what it becomes, but also what it remains capable of becoming.